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Shin and Parks developed an instant rapport, and recorded in the same venue together a few months later in May 2012, adding accordionist Rob Curto (who'd already worked with Shin).The. This appearance on ECM grew spontaneously out of Shin visiting Mechanics Hall in Worcester, MA, where pianist Aaron Parks was was recording what would become his solo piano album Arborescence. Lua Ya is the second album by Korean singer Yeahwon Shin, who started out with a love of Brazilian music and based her debut around Latin jazz. Ī gorgeous little whisper of an album, so light and soft it's barely there. After a dark, dramatic opening, it does end up evoking the beach about three minutes in, then sets of. The other is Maroubra Bay, inspired as the name suggests by TD's time in Australia. Epsilon In Malaysian Pale, which apparently is meant to mean "enveloped in the Malaysian humidity", came after Tangerine Dream had released Rubycon and toured Australia like Rubycon, it has two side-long tracks.The first of these is the title track, a lush junglescape of mellotron and a light touch of sequencer, inspired by Froese's visit to Malaysia. Įdgar Froese - Epsilon In Malaysian Pale (1975)Įdgar Froese's second solo album, and possibly his best. Masterworks Of The 20th Century 10xCD box set - posting now completeĭisc 1 - Pierre Boulez: Le Marteau Sans Maître/Livre Pour Cordes - posted hereDisc 2 - Toru Takemitsu: Asterism, Requiem, Green, Dorian Horizon - posted hereDisc 3 - Igor Stravinsky: Agon/Gunter Schuller: 7 Studies On Themes Of Paul Klee - posted hereDisc 4 - Charles Ives: The "Concord" Sonata - posted hereDisc 5 - George Crumb: Voice Of The Whale/Night Of The Four Moons etc - posted hereDisc 6 - Harry Partch: The World Of Harry Partch - posted hereDisc 7 - Extended Voices - posted hereDisc 8 - Xenakis, Del Tredici, Stockhausen, Cage, Crumb - posted hereDisc 9 - Columbia-Princeton Electronic M. As a whole, On Land conjures up (not least from the track titl. Jon Hassell also contributes trumpet to the all-too-brief Shadow. On Land was the last album in Eno's Ambient series, and was created via a kind of "musical composting" from previous recordings and environmental sounds.Guest musicians give On Land a fresh perspective too, with no less than three on the opening track, including Bill Laswell on bass. īeen giving this Eno classic a lot of play in the last week or two, mostly at as low a volume as possible, letting it blend in with the ambient sounds coming through the open windows. Renate Knaup, who was now the main vocalist, has said of her time in Popol Vuh that "Florian's music makes you feel stoned when you sing it the repetition makes you high".After an initial blast of the Bavarian State Opera Choir, opener Wehe Khorazin settles into the first "yehung" chant of m. The base of their sound was still the layers of Daniel Fichelscher's chiming guitars, and Florian Fricke's piano somewhere in the mix, but the songs were becoming ever more minimal in their trance-inducing, mantric repetition. Popol Vuh entered the 80s with one of their darkest, most ritualistic albums. Popol Vuh - Sei Still, Wisse Ich Bin (1981) The pairing of Turangalîla with Quartet For The End Of Time brings together two of Messiaen's most celebrated masterpieces, and this set is also essential because it sounds so great, with world-class musicians all round.Simon Rattle's take on Turangalîla is one of typically lush attention to detail, and makes for interesting side-by-side comparison with my personal favourite rendering under Antoni Wit (see links below), where everything is a bit more in.
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This classic double-disc release from the 80s came up in the comments last time I posted Messiaen, so about time I got around to posting it. Olivier Messiaen - Turangalîla Symphonie / Quatuor Pour La Fin Du Temps (1987)